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Ark/8 · 115 S La Brea
SPACE 65′ × 65′ · ~14′ clear
COLUMNS 2 U’s · 14′ open lane between
STAGE 4 decks 4′×5′ · 10′×8′ · panel
BAR north-west · DJ mirrors it south
PROJ 36′ at 0.8:1, 29′ throw · off view — entrance
Work
Crowd
Drag to orbit · scroll to zoom ? for controls and sources
Ark/8 — Installation Model
Massing study for the Auda art forum at Ark/8, 115 S La Brea.
Modelled at 1 unit = 1 foot.
Moving around
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1 – 5
overviews — entrance, plan, room, wall, backdrop
6 – 9
standing in the room at eye level — door, among the suspended panels, on stage, at the column line
0
back to the entrance view
, .
fewer or more people — the same four steps as the Crowd row
[ ]
step through the placements — the same four as the Work row
B W F P C L G
toggle a layer on or off
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open and close this panel
Where the work lives
Three placements on the stage side, switched from the Work row or with [ and ]. Send one on its own by adding ?work=b to the link.
A
the stage wall — the sixteen continue the backdrop out along the same wall, two rows a side, so the whole west face is one hang. Clears the bar north and the DJ south
B
suspended — sixteen on cable drops, eight a side, flanking the walk to the stage on the same suspension the clothing hangs from. You pass between them and arrive at the four large ones
C
on the architecture — sixteen face-mounted two-high on the tiled columns. Nothing added at all. Note a 24″ print overhangs an 18″ column face by 3″ either side
Getting out
Storefront
the full south face, on La Brea
Fit rooms
the one opening in the north wall — the rest of that wall is solid
Lavatories
west wall, immediately right of the bar; the hallway runs west with Lav 1 and Lav 2 off it
What is drawn from what
Shell
the 65′×65′ space, column line, storefront and the two openings, from the Ark/8 floor plan
Finishes
white tiled columns and plinths, suspended garment rails, the oak counter, the fit rooms, pale polished floor and exposed ceiling — all from photographs of the room
Dressing
the room as it will be on the night: the gallery-wall side cleared, the run by the bar struck, the two runs by the stage down to their rails
Installation
the prints, the stage panel and the DJ stand — the proposal, not the building
Plan is orthographic. That view switches to a parallel
projection, so walls stay parallel and you can scale off it — the 5′ floor
grid is the ruler. Every other view is a normal perspective camera. Drag in
the plan and you drop back into perspective, because you have stopped
measuring and started looking.
Not a survey. Dimensions are scaled off a floor plan
drawing, not measured on site. The column line, storefront and back-of-house
openings are positioned to about a foot. Verify anything load-bearing,
anything you are ordering material against, and the ceiling height before
you build to it.
Projection, measured. The lens sits 29′ off the
wall. A short-throw lens near 0.8:1 gives about a 36′ wide
image — that is what is drawn. At 16:9 that raster stands 20′ tall
against a 14′ ceiling, so the content is letterboxed to the 12′4″
that fits and roughly 40% of the projector’s pixels land on the ceiling
and floor. Covering the whole 65′ wall instead needs 0.48:1 at this
distance, or two units edge-blended, or one much further back.